Last time, I wrote about the ambiguity of certain elements in Daphne Du Maurier’s Don’t Look Now , and I’d like to continue—especially since we’re dealing with scary scenes, and it’s a week closer to Halloween! I gave away the ending last time, so there’s no use pretending I didn’t. John, the narrator, pursues a figure he thinks is a child in peril who turns out to be an adult murderer (a dwarf) who kills John. The last thing he remembers is the vision he had of his wife Laur