Last time, I wrote about the ambiguity of certain elements in Daphne Du Maurier’s Don’t Look Now , and I’d like to continue—especially since we’re dealing with scary scenes, and it’s a week closer to Halloween! I gave away the ending last time, so there’s no use pretending I didn’t. John, the narrator, pursues a figure he thinks is a child in peril who turns out to be an adult murderer (a dwarf) who kills John. The last thing he remembers is the vision he had of his wife Laur

Last time, we talked about several different ways to look at the supernatural features of Daphne Du Maurier’s short story, Don’t Look Now . In part to recover from the death of their young daughter, a British couple are vacationing in Venice where they encounter a mysterious pair of sisters who tell them their daughter is present and concerned that something bad will happen to them. Their son, at a boarding school in England, falls ill, and the boy’s mother, Laura, returns to

Daphne Du Maurier’s Don’t Look Now  is a long short story (some 60 pages), originally published in 1970, thirty-two years after the publication of our previous selection, Rebecca, which speaks to Ms. Du Maurier’s long career. It was first published in Great Britain under a different title, Not After Midnight . The edition I’m reading is a short story collection of Ms. Du Maurier’s work entitled Don’t Look Now , published by The New York Review of Books. A famous film version