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What role does transformation play in Grand Central? Transformation is a key element of fiction and of memoir. “A transformation is a dramatic change in form or appearance. An important event like getting your driver’s license, going to college, or getting married can cause a transformation in your life.” In Grand Central, we have a very dramatic event—the protagonist embarks on a love affair with a married man and becomes pregnant. Eventually he leaves her to return to his w

Last week, I wrestled mightily with the question of whether Grand Central is a memoir or a work of fiction, deciding that the story seems to contain elements of both forms but shades more to the memoir side. After a further week of thought and struggle, I agree with my previous assessment. (Yay! A good day.) I think a useful way to think about the story is that Ms. Smart took a particular period in her life—the onset of her affair with Mr. Barker up to the birth of their firs

‘Kay. I have said that, this week, we should examine Grand Central as a work of fiction. I felt good about the clarity, not exactly smug, but pleased with myself. Now a week has passed, and we have a problem, my friends. (Whiny voice—You have a problem). Is Grand Central a work of fiction or of memoir? “A memoir uses fictional techniques to draw readers into an honest account of a true story. It is written in the first person, from the author’s point of view. And it differs f

A week of sleepless nights, best beloved. I’ve been struggling with Grand Central. The personal nature of the story, a possibly fictionalized version of real events in the author’s life, “put me through the changes,” as an old friend used to say, meaning that it challenged some core beliefs about reading and about writing. When I read a story, I generally am not terribly interested in the author’s personal life or what kind of person they are or were. I’d rather approach stor

A new book this week, Elizabeth Smart’s 1945 novella, By Grand Central Station I Sat Down and Wept, weighing in at one-hundred and twelve pages in the 1992 Flamingo edition. I became aware of Grand Central via my son, who read it in a literature class at McGill University and recommended it to me. Elizabeth Smart was a Canadian writer whose life took a dramatic turn when she picked up a book of poetry in a London bookshop written by George Barker. She loved it, and eventually